ARTWORKS

Inspired by the idea that “the flap of a butterfly’s wings in Brazil may set off a tornado in Texas,” this series explores how the smallest actions, thoughts, and decisions can shape unexpected outcomes.

Created on a continuous 15-meter canvas, the work unfolds without a predetermined plan and without returning to alter what has already been painted. Each mark influences the next, reflecting the unpredictability of life itself. The process became an exercise in accepting uncertainty, letting go of expectations, and trusting the present moment.

Rather than pursuing a fixed destination, Butterfly Effect embraces change as an essential part of creation. Every brushstroke becomes both a response to the moment and the starting point for what follows, revealing how each decision leaves a trace that shapes the future.

This series is not about completing a painting, but about experiencing the continuous journey of becoming. Like life itself, we can only see the immediate past and imagine the near future. What truly belongs to us is the present moment.

Bird's Eye View began with a quiet moment after a long flight, looking down at the snow-covered Kathmandu Valley from the crew seat. From above, the familiar landscape felt entirely different, reminding me that a simple shift in perspective can transform the way we see the world.

This change in viewpoint also shaped my painting process. Instead of working on an easel, I placed the canvas on the floor, allowing my entire body—not just my hand—to guide each movement. The distance created by this perspective brought clarity, openness, and a new relationship between body and canvas.

This series reflects the belief that life itself can change through perspective. Sometimes nothing around us has changed—only the way we choose to see it.

Abundant Mind reflects the universal aspiration for a life of well-being, prosperity, and sustainability. Inspired by the Thai tradition of exchanging blessings and good wishes, this series celebrates the connection between physical, mental, and spiritual abundance.

The metallic backgrounds—gold and silver—symbolize different qualities of life. For me, gold represents warmth, vitality, and the life-giving energy of sunlight, while silver evokes stillness, clarity, and quiet reflection.

Together they create a balance between energy and calm, growth and contemplation. White flowers, accented with gold or silver, embody purity, kindness, and the blessings shared through gestures of giving, respect, and love.

Through this collection, I invite viewers to reflect on abundance—not only as material wealth, but as a state of harmony, gratitude, and a life that continues to flourish.

For me, painting is a way of looking inward. Mirrors brings together moments of self-discovery, where each canvas uncovers another layer of identity.

The series is not about finding definitive answers, but about embracing the continuous process of understanding and accepting oneself.

Necessary Unnecessary began with a simple realization: we need far less than we often believe—not only in what we own, but also in what we carry within our minds.

Many of the thoughts we hold onto are unnecessary, quietly weighing us down.

This series became a process of reduction. By removing excess forms, unnecessary marks, and visual noise, I search for clarity and space. What remains is not emptiness, but the quiet presence of what truly matters.

Through painting, I continue to ask what is essential, and what can simply be let go.

Novel explores the way memory, emotion, and imagination overlap within a single moment.

Each painting becomes a fragment of an unfolding story, where familiar forms appear, disappear, and transform through layers of color and gesture.

Rather than describing a fixed narrative, the series leaves space for interpretation, allowing each viewer to construct their own meaning from what they see and feel.

Like a novel without a final page, the work remains open, continuing through every encounter.

Painting is an ongoing exploration of thoughts, emotions, memories, and experiences through color, form, and gesture.

Each work begins without a fixed destination. Marks, movements, and layers gradually build upon one another, allowing the painting to develop through the process itself.

Rather than searching for a predetermined image, the work becomes a space for observation and discovery, revealing connections that often emerge only through painting.

Each painting remains open to interpretation, inviting the viewer to bring their own memories, emotions, and experiences into the work.

Libitum explores freedom through instinctive movement, spontaneous marks, and shifting layers of color.

Each work develops through an open process, allowing gesture and emotion to guide the painting rather than following a predetermined composition.

Forms appear and disappear as the surface evolves, creating a visual rhythm between control and release.

The series reflects a space where painting can remain fluid, intuitive, and continuously open to change.

Phoenix reflects transformation, resilience, and the quiet strength that emerges through change.

The series explores the process of moving through uncertainty, letting go of what has passed, and allowing something new to gradually take form.

Through layered gestures, contrast, and movement, each work becomes a record of transition rather than a fixed moment.

Phoenix is ultimately about renewal — the possibility of becoming different without losing the traces of what came before.

Stained explores the traces left behind by emotions, experiences, and memories — marks that remain even after the moment itself has passed.

Layers of colour, spontaneous gestures, and overlapping forms become a visual record of these impressions.

Rather than attempting to erase or conceal them, the paintings allow each trace to exist alongside another, creating a surface shaped by accumulation and change.

The series reflects on how our experiences quietly become part of us, leaving marks that continually influence the way we see and understand ourselves.

Necessary Unnecessary began with a simple realization: we need far less than we often believe—not only in what we own, but also in what we carry within our minds.

Many of the thoughts we hold onto are unnecessary, quietly weighing us down.

This series became a process of reduction. By removing excess forms, unnecessary marks, and visual noise, I search for clarity and space. What remains is not emptiness, but the quiet presence of what truly matters.

Through painting, I continue to ask what is essential, and what can simply be let go.

Sweet Scented explores moments of softness, memory, and emotion through delicate layers of colour and spontaneous gestures.

Pale tones and subtle marks move across the surface, creating an atmosphere that feels both familiar and fleeting.

Like a scent that quietly brings back a memory, the paintings are not intended to describe a specific moment. Instead, they allow feelings and impressions to emerge gradually through colour, movement, and space.

Each work becomes a quiet trace of something once felt — present for a moment, yet difficult to hold onto completely.